In response to the aims of a workshop on Connecting Practices in Lancaster during April 2019, this short experimental piece explores lines in Lancaster and their multiple relationships with and forms of connection to practice. It therefore addresses the theme of ‘processes of connection’ and explores line-making as such a process. The piece of thought has two starting points. The first is Ingold’s ‘comparative anthropology of the line’ (2016:1) in which he argues that the production and significance of lines should be a topic for anthropological study, and in which he provides some conceptual starting points for such a project. His focus on different forms and classes of line across practices including walking, weaving, storytelling, drawing and writing drew my attention to painted lines in the first place, and raised a question ‘how do painted lines do work in the world?’. In this paper I am interested in how practice theory might offer conceptual starting points for answering this question. Continue reading “Nicola Spurling – Lancaster Lines”
In collaboration with the ICI Berlin (Institute for Cultural Inquiry) the workshop “Sensing Collectives – Aesthetic and Political Practices Intertwined” will take place on November 14th–16th in Berlin. With keynotes by Antoine Hennion (Centre Sociologie d’innovation, Mines Tech) and Sophia Prinz (Berlin University of the Arts and the European University Viadrina Frankfurt/Oder). Call for contributions open until August 15th 2018.
The aim of this workshop is to reexamine the nexus between aesthetics and politics by turning away from their conception as institutionally or communicatively differentiated spheres and instead take a “practice turn” (Schatzki/Knorr Cetina/von Savigny 2001) to have a look at what is actually done, and how, and to what effect – both in art, design and aesthetics (e.g. Zembylas 2014) and in politics, policy-making and governance (e.g. Jonas/Littig 2016). Contributions by participants working in the field of practice theory are highly welcome.
The relation between aesthetics and politics has long been an issue of concern: often treated as opposites, sometimes connected perhaps, but essentially belonging to different spheres. Politics has been understood as the public questioning and shaping of collective orders, through power struggle or rational deliberation, mainly within the institutions of the nation state; while aesthetics has been considered either a private affair or a radical form of play contained in the eld of arts (Rebentisch 2012; Hoggett/Thompson 2012; Reckwitz/ Prinz/ Schäfer 2015a). Their mingling has been observed with skepticism (e.g. Horkheimer/Adorno 2006 ; Downs 1957; Debord 1996 . Yet this line of separation is undoubtedly less clear than some have claimed. For aesthetics and politics this is re ective of what can also be seen as a broader questioning of accounts based on social theories of functional differentiation.
At the upcoming EASST Conference 2018 in Lancaster 25-28 July 2018, there is another panel which explicitly welcomes proposals from a practice theory perspective:
We invite submissions of abstracts to the panel A28 *Socio-technical encounters in the city: Urban spaces, data infrastructures and new modes of civic engagement* which is part of the stream on “Encounters between people, things and environments” at the EASST Conference 2018 in Lancaster 25-28 July 2018. The deadline is 14th of February 2018. For more information on the panel and submission of abstracts, please follow this link https://nomadit.co.uk/easst/easst2018/conferencesuite.php/panels/6218 or see below.
The 2018 EASST conference will be held in Lancaster 25-28 July 2018, and includes a call of relevance to this blog. The deadline for abstract submissions is 14th February 2018. For more information, visit: https://easst2018.easst.net/call-for-papers/
For those in the UK, there is an exciting British Sociological Association Regional Postgraduate Event on 26 March 2018 at Lancaster University that features many contributors to this blog and will hopefully develop some new posts as well. Please consider joining us and spread the word.
Russell Hitchings: “If you’re thinking about practice as a kind of invitation to explore the world or phenomena through a range of interesting ways, I like that. I think that’s probably a good way to go. But I think that could be communicated more effectively because I think often people have a tendency to think, “Ok, am I doing it right?” when they are applying it.
I think [practice theories] make even bigger methodological demands than sometimes realized. …
So people, institutions, and consequently archives, do not tend to speak of practices. … There is one exception, and that is Monty Python with the Ministry of Silly Walks. But I think that is telling that we have ministries that deal with housing – that is about the housing stock, not necessarily about housing practices …
we really have to think perhaps harder, more creatively about sideways methodological research techniques that allow us to get closer to the actual practice.
- Frank Trentmann at the DEMAND Conference panel, April 2016 (listen to all of Frank’s remarks, starting from 26:21)
For those curious about the intersection of practice theories and digital methodologies, this upcoming event that has been brought to our attention might be of interest:
Digital methodologies and domestic energy practices workshop
19-20th October 2016, Centre for Housing Research, University of St Andrews
If you are interested in the relationship between practice theories (broadly writ) and methodologies, we would be interested to hear your responses, reactions, and revisions to the Propositions for Discussion. Please get in touch with Hilmar (email@example.com) or Allison (firstname.lastname@example.org) to find out more about contributing your own post to this blog.