In collaboration with the ICI Berlin (Institute for Cultural Inquiry) the workshop “Sensing Collectives – Aesthetic and Political Practices Intertwined” will take place on November 14th–16th in Berlin. With keynotes by Antoine Hennion (Centre Sociologie d’innovation, Mines Tech) and Sophia Prinz (Berlin University of the Arts and the European University Viadrina Frankfurt/Oder). Call for contributions open until August 15th 2018.

The aim of this workshop is to reexamine the nexus between aesthetics and politics by turning away from their conception as institutionally or communicatively differentiated spheres and instead take a “practice turn” (Schatzki/Knorr Cetina/von Savigny 2001) to have a look at what is actually done, and how, and to what effect – both in art, design and aesthetics (e.g. Zembylas 2014) and in politics, policy-making and governance (e.g. Jonas/Littig 2016). Contributions by participants working in the field of practice theory are highly welcome.

The relation between aesthetics and politics has long been an issue of concern: often treated as opposites, sometimes connected perhaps, but essentially belonging to different spheres. Politics has been understood as the public questioning and shaping of collective orders, through power struggle or rational deliberation, mainly within the institutions of the nation state; while aesthetics has been considered either a private affair or a radical form of play contained in the eld of arts (Rebentisch 2012; Hoggett/Thompson 2012; Reckwitz/ Prinz/ Schäfer 2015a). Their mingling has been observed with skepticism (e.g. Horkheimer/Adorno 2006 [1944]; Downs 1957; Debord 1996 [1967]. Yet this line of separation is undoubtedly less clear than some have claimed. For aesthetics and politics this is re ective of what can also be seen as a broader questioning of accounts based on social theories of functional differentiation.

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